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PRESS AND MEDIA INFORMATION
https://news.artnet.com/art-world/ai-da-robot-artist-parliament-2190611 Science & Tech Robot Artist Ai-Da Just Addressed U.K. Parliament About the Future of A.I. and ‘Terrified’ the House of Lords The robot is part of an experimental art project that aims to let the technology speak for itself. Jo Lawson-Tancred, October 12, 2022 Ai-Da, the world's first ultra-realistic humanoid robot artist, appears at a committee room in the House of Lords on October 11, 2022 in London, England.
https://collegeofmedicine.org.uk/the-healing-power-of-art-during-the-global-pandemic/ The healing power of art during the global pandemic Bogdan Chiva Giurca, February 2, 2021 In this collaboration between the College of Medicine and the Barakat Art Gallery, Dr Bogdan Chiva Giurca explores the power of the arts to help mental health and well-being during the Covid pandemic…
https://www.artbusiness.com/galcomp.html How to Sell Like the Galleries - Art Marketing for Artists Alan Bamberger Collectors can buy art wherever they want, but even with all the online buying platforms out there these days, many still choose to shop exclusively with galleries or dealers. When asked why they prefer shopping this way to buying directly from artists, their most common answers are that artists can sometimes be difficult to deal with and can tend to present problems the galleries don't.
https://news.artnet.com/market/anti-money-laundering-regulations-uk-1749087?utm_content=from_&utm_source=Sailthru&utm_medium=email&utm_campaign=Europe%20January%2010%20AM&utm_term=New%20Euro%20%2B%20Newsletter%20List UK Dealers Are Scrambling to Make Sense of ‘Burdensome’ New Anti-Money Laundering Regulations Quietly Passed Over the Holidays The new rules will disrupt the culture of confidentiality in the art market. Naomi Rea, January 10, 2020
https://www.artbusiness.com/galrep.html Should Independent Artists Seek Gallery Representation? Alan Bamberger Q: I make my living selling my art out of my studio, at open studios, art festivals, art walks, and recently started trying to sell online. I don't make a lot of money, but have done OK outside of the traditional gallery world for years by selling direct to buyers. I've had a handful of shows during that time, but only at small galleries and exhibition spaces run by friends. I have Instagram and Facebook pages and a website, but don't really do much with them and to be honest, am not all that interested. As a result, people outside my area art community know little or nothing about me and my art. What's the best way to approach more established galleries for shows? Or should I even bother? I have plenty of completed artworks available, and I continue to create new work all the time.
https://www.artlyst.com/news/london-galleries-warn-clients-new-anti-money-laundering-laws/?amp=1 London Galleries Warn Clients About New Anti-Money Laundering Laws 6 January 2020 / Art Categories Art Market, News / Art Tags Anti-Money Laundering, Art, Cristea Roberts Gallery Cristea Roberts, one of London’s leading art galleries, has sent a memo to all of their clients warning of strict Anti-Money Laundering legislation, effective from 10 January 2020. The new law requires all new and existing clients to provide identification when purchasing a work of art. This will be inline with laws covering the purchase of a property. Please read below for a summary of what the legislation will entail.
https://www.artbusiness.com/dealer.html What Good Are Art Dealers and Gallery Owners? Alan Bamberger Nobody likes art dealers or galleries. Artists don't like them because they keep half the price of every piece of art they sell. People who buy art don't like them because they charge top dollar. Even dealers don't like dealers, but that's another article. So do art gallery owners and dealers do anything other than inject themselves into art business transactions, jack prices, take cuts, and extract cash? Let's explore.
https://news.artnet.com/art-world/how-to-get-a-gallery-1621384?utm_content=from_&utm_source=Sailthru&utm_medium=email&utm_campaign=Newsletter%20August%2012&utm_term=New%20Euro%20%2B%20Newsletter%20List Art World How Does an Artist Get a Gallery, Anyway? Here Are 11 Practical Steps That Could Lead to Bona Fide Representation Artists, dealers, and other experts talk about what it takes to win the eye of a gallery. Brian Boucher, August 12, 2019
https://news.artnet.com/market/price-transparency-art-basel-1569190?utm_content=from_&utm_source=Sailthru&utm_medium=email&utm_campaign=Europe%20June%2011%20AM&utm_term=New%20Euro%20%2B%20Newsletter%20List The Cost of Price Transparency: Why Some Dealers Would Rather Alienate You Forever Than Reveal the Price of an Artwork And how the internet may finally change one of the art market's oldest customs. Eileen Kinsella, June 11, 2019
https://www.artlyst.com/features/rebirth-cork-street-galleries-oliver-malin/ The Rebirth Of Cork Street But Where Are The Galleries? – Oliver Malin 19 May 2019 / Art Categories Art News / Art Tags Cork Street / Redevelopment
https://www.artlyst.com/reviews/artificial-intelligence-human-barbican-edward-lucie-smith/ Artificial Intelligence More Than Human – Barbican – Edward Lucie-Smith 20 May 2019 / Art Categories Reviews / Art Tags AI Barbican More Than Human
http://faso.com/fineartviews/105117/good-galleries-vs-great-galleries Good Galleries vs Great Galleries by Mark Edward Adams on 28/03/2016
http://faso.com/fineartviews/104323/the-definition-of-art-by-me The Definition of Art, by Me by Carolyn Henderson on 07/03/2016
http://www.artmarketmonitor.com/2015/07/30/if-contemporary-art-is-so-great-why-doesnt-anyone-make-any-money/ If Contemporary Art Is So Great, Why Doesn’t Anyone Make Any Money? July 30, 2015 by Marion Maneker http://www.bloomberg.com/news/articles/2015-07-30/why-do-so-many-art-galleries-lose-money- Why Do So Many Art Galleries Lose Money? The art business is booming, but many galleries are barely getting by. One German expert thinks he knows the answers by James Tarmy, July 30, 2015 http://en.artmediaagency.com/112875/do-art-galleries-need-to-review-their-business-model/ Do art galleries need to review their business model? Berlin \| 6 August 2015 \| AMA
Galleries, June 2014 WORKPLACE ART Art in the Office ... By contrast, since 2009 Mikhail Zaitsev of Hay Hill Gallery has successfully shown very large sculptures which cannot fit into his gallery in big prestigious London business centres; he has 3 sculptures 4 metres high on display at present in the heart of Mayfair at Berkeley Square House. He says he has sold many such huge sculptures over the years, one being recently shipped to Latvia ...
Ayn Rand and The Financial Crisis Show Sarah Jones
HANGING OFFENCE : HAY HILL GALLERY BY TREBUCHET ON DEC 26, 2013 Maintaining a distinct profile as a gallery, whilst undergoing a change in premises, comes with its challenges. London, in common with any centuries-old city, changes its nature from borough to borough, street to street. Hay Hill Gallery’s Sarah Jones takes a brisk attitude to change, seeing it as an essential part of the gallerist’s craft. Hanging Offence sets the questions.
Bruce Hamilton Clark 'Tea Was A Yellow Fish. Memoirs and Paintings'. First published in 2013 by Analecta Publishing. Born in 1937, just before the Second World War, Bruce Clark lived in London during the early years of intensive bombing, and was later evacuated to Scotland. His family was homeless when the war ended and eventually settled in Surrey, where he attended a local grammar school. He worked in a London office before joining the RAF in the mid-1950s, serving in Berlin in the days before the notorious wall was built. In 1958 he became a student at a unique art school, Bath Academy of Art, at Corsham, and proceeded to a teaching career which spanned the full age range from infants to post-graduates. The first twelve years were spent in two secondary modern schools in different parts of the country. He was employed as a school inspector in the formative years of OFSTED, and also produced and exhibited paintings during a period of over fifty years. Cover illustrations. Front: Deserted Shore 2, 2009; back: Cool Shower Approaching, 1992
The Art Investor, 2012, Issue 1 Off the Wall Kevin Payne talks to Ross Tiffin at the Hay Hill Gallery, Cork Street, London BY ROSS TIFFIN Waiting in a quiet corner of the Hay Hill Gallery, while Kevin Payne finished dealing with a client, I found myself musing on the eclectic nature of art and the wide and varied pleasure it brings to so many people.
London Evening Standard, Tuesday 16 August 2011 The Mayfair gallery, the tycoon and their £2m battle over 'missing' Warhol Rashid Razaq Published: 16 August 2011 An Andy Warhol painting is at the centre of a £2 million High Court battle between a Mayfair art gallery and a Norwegian businessman.
The Great Britain - Russia Society Russian Art In London. The Commercial Dimension Article by Ann Kodicek, August 2005 Twenty years ago, Bond Street bustled with newly liberated Russian artists, presenting their portfolios to the Western art world. For a time, every gallery had its Russian artist. Russian art, of every kind, was “in”, and selling by the arshin. Then people learned that the Union of Artists (to which virtually all these artists belonged) was not the Soviet equivalent of the Royal Academy and that these artists, even at home, were largely unknown. Prices plummeted, collectors began to hate their purchases, salerooms were lumbered with shiftless works and Russian artists worth their salt moved on to Germany or USA. ...
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