London, United
Kingdom
PROGRAMME
Piotr
Tchaikovsky, Sentimental Waltz, 'None but the lonely
heart' arr. for cello and piano
Sergei
Rachmaninov, 'Elegy' for piano solo
Arno
Babadjainan, ‘Give me back the music’ for piano solo
Dmitri
Schostakovich, Selected Pieces for film music for piano
solo
Sergei
Prokofiev, Sonata for cello and piano op. 119
Sergei
Rachmaninov, 'Vocalise' arr. for cello and piano
THE CONCERT WILL BE APPROXIMATELY 60 MINUTES LONG, WITHOUT AN
INTERVAL, AND
THE
AUDIENCE WILL BE LIMITED TO 30 PEOPLE TO COMPLY WITH
COVID-19 SOCIAL DISTANCING MEASURES.
Bartholomew
LaFollette has a rich and
varied career as a solo cellist and chamber musician. Last season he
made his debut with the BBC Philharmonic on 6 hours notice playing
Dvořák's Cello Concerto which was later broadcast on BBC Radio 3.
His debut CD of Brahms’s Sonatas for Cello and Four Serious Songs
with pianist Caroline Palmer was released to critical acclaim on the
Champs Hill label, with Gramophone praising it’s "technical finesse
and interpretative insight" and The Strad writing "The dolce at the
end of the Adagio is heart-wrenching."
Hailed by the Irish Times for being “as
free in touching the heartstrings as he was in dashing off dazzling
runs”, Bartholomew's highlights with orchestra include appearing as
soloist with the City of London Sinfonia, Dvořák's Cello Concerto
with the Royal Philharmonic Orchestra and performances of the Walton
and Elgar Cello Concertos in the Barbican Hall. He has also
performed Brahms’s Double Concerto with Daniel Stabrawa and the
Poznań Philharmonic in Poland and Shostakovich 1 with the Trondheim
Symphony Orchestra in Norway.
Recent performances have included
chamber music appearances alongside Anthony Marwood and Richard
Lester at their Peasmarsh Festival as well as a series of concerts
with the acclaimed Danish String Quartet around the USA and Canada.
Bartholomew also joined the Sitkovetsky Trio on tour throughout
Australia to glowing reviews including "When LaFollette played the
theme first heard in the piano, with a glassy faraway look and
invested it with soulful meaning, the audience was in the trio's
thrall."
Bartholomew's musical collaborators have
included Caroline Palmer, Christian Tetzlaff, Alina Ibragimova,
Jennifer Stumm, Roman Simovic, András Keller, Ferenc Rados, Anthony
Marwood and many others.
As a YCAT artist (Young Classical
Artists Trust) from 2007-2011, Bartholomew gave numerous
performances at the Wigmore, Barbican, Royal Festival and
Bridgewater halls. He went on to win first prize at The Arts Club's
and Decca Records' inaugural Classical Music Award. Bartholomew was
also the first recipient of the Irish Chamber Orchestra's Ardán
Award.
Born in Philadelphia, Bartholomew
LaFollette has lived in Britain since the age of 13. He trained at
the Yehudi Menuhin School, and later the Guildhall School of Music
and Drama. At the age of twenty-six he was appointed Professor of
Cello at the Yehudi Menuhin School. Bartholomew is artistic director
of the Marryat Players International Chamber Music Festival, now in
its seventh year, which takes place in Wimbledon Village.
Bartholomew plays a Giovanni Dollenz
cello from 1841 and an F.X.Tourte from 1790 for which he is
particularly grateful to the Stradivari Trust.
Yulia Chaplina
Born
in Rostov-on-Don (Russia), London-based Yulia gave her debut
performance aged 7, performing Bach’s Keyboard Concerto in F minor
with the Rostov State Symphony Orchestra. Since then, she has
performed extensively in Europe and Asia. Described by International
Piano Magazine as ‘quintessentially Russian’ and ‘with technical
fluency and rich tonal shading reminiscent of the great Communist
era artists such as Emil Gilels’, Yulia is the winner of 7
international piano competitions. Since winning the First Prize &
the Gold Medal in the prestigious Tchaikovsky International
Competition for Young Musicians, she has performed regularly as a
soloist in many of the world's finest venues, including the Wigmore
Hall, Kings Place and the Southbank Centre in London, Berlin’s
Philharmonie, the Grand Halls of the Moscow Conservatoire and the
St. Petersburg Philharmonia, Bunka Kaikan Hall in Tokyo and many
other concert halls.
Yulia’s solo CD of Russian Music,
recorded by Champs Hill Records, was described by the American
Record Guide as "....an outstanding disc and one I’ll return to
often", adding that "Russian born and trained Yulia Chaplina brings
to her playing more than a lifetime of acquaintance with this
music."
Yulia holds a Bachelor's degree from the
University of Arts (Berlin), and a Masters in Music & Fellowship
from the RCM (London). Yulia received music coaching from Mstislav
Rostropovitch, Andras Schiff, Mitsuko Uchida, Paul Badura-Skoda,
David Waterman, Steven Isserlis, Thomas Adès and Liliya Zilberstein.
Yulia is a regular music contributor for
Russian Arts & Culture and has written extensively for many UK music
publications, including Gramophone, Pianist, International Piano,
BBC Classical Music Magazine as well as publications in Russia and
Germany. She has recently published a series of interviews
('Musicians in Isolation') to inspire young musicians during the
current lockdown period, featuring Sir András Schiff, Maxim Vengerov,
Imogen Cooper, Steven Isserlis and Alina Ibragimova.
Yulia is also the presenter of the
"Pianist Platform" where her guests include Alfred Brendel, Pierre -
Laurent Aimard, Marc - Andre Hamelin, Imogen Cooper, Barry Douglas,
Paul Lewis, Barry Cooper, John Suchet, David Waterman, heads of
Keyboard from UK's top conservatoires and schools such as: RAM,
Guildhall School of Music of Drama, RNCM, Trinity Laban, Royal
Conservatoire of Scotland, Birmingham conservatoire, Chetham's
School of Music, Eton College, Harrow School, Dulwich College,
Radley school and many others.
Yulia is a passionate teacher herself
and has given many recitals and masterclasses in international music
festivals, as well as at the Royal College of Music and in leading
UK schools. She has recorded piano syllabus pieces for both the
ABRSM and Trinity Piano Examination Boards as well as recording
accompaniments for the Trinity Vocal syllabus. Yulia was a member of
the selection panel for the Trinity College London Examination Board
in 2018 and 2020. She has been invited to participate as a jury
member in several music competitions in the UK, Russia and Italy.
Yulia is the artistic director of the Prokofiev Festival in London.
www.yuliachaplina.com
This is event is part of the 2nd London Prokofiev Festival
https://melaniespanswick.com/2021/05/09/the-second-prokofiev-festival-yulia-chaplina/
The Second Prokofiev Festival: Yulia
Chaplina
Posted by THE
CLASSICAL PIANO AND MUSIC EDUCATION BLOG on MAY
9, 2021
It’s always a pleasure to highlight special events,
and this one is particularly exciting as it’s actually taking place
‘live’. Russian pianist Yulia Chaplina is the Artistic Director of
The Second Prokofiev Festival to be held at the end of May in
London. In this article, she offers a sneak preview, and reminds us
of the importance of live music events. Over to Yulia…
I am
excited to announce that the Second Prokofiev Festival will take
place from 25 – 28th May, across several London music venues: Kings
Place, Russian House and Pushkin House. It has been a most difficult
time for every one of us, especially without live music. So,
immediately after the prime minister’s announcement about the
roadmap out of lockdown, I was determined to make this year’s Second
Prokofiev Festival a ‘live’ event.
Being an artistic director is always a unique and
wonderful experience. I have now been artistic director at quite a
few festivals; ‘The Music of the Russian Revolution’, ‘Debussy and
his Contemporaries’, and the ‘Liszt Festival’, to name a few. But,
being the Artistic Director of the Prokofiev Festival is really a
very special occasion for me: it’s a huge honour to be collaborating
with the descendants of the Prokofiev family in London. I am very
grateful to all of the family, and especially Gabriel Prokofiev, for
their continuous support.
This year’s
highlights include a concert entitled ‘Behind the Iron Curtain’ to
be held at Kings Place. Taking place on May 26th, I will play
Prokofiev’s Sonata for Violin and Piano Op. 94a, Waltz
No. 2 from Jazz Suite no. 2 and the Romance from
Gadfly by Schostakovich with Thomas Gould (violin), pieces from Childrens’
Notebooks by Weinberg, and also some selected arrangements from
Shostakovich’s film music.
I’m also
joined by Bartholomew LaFollette (cello) to play Prokofiev’s
wonderful Cello Sonata in C major Op. 119 at Pushkin House
on the previous day. Also this year we have ‘Talented Children’ and
‘Amateur Pianists’ concerts, and I am very excited about these new
additions to the Festival.
I love
playing Russian music in the UK and am proud that in this year’s
programme we have a few Russian composers, such as Lyadov, Medtner,
Gubaidulina, whose works are not performed very often.
It’s been a
challenge to plan a festival of five concerts in four days during
these strange times, but I am incredibly thankful to all the concert
venue’s planning teams and to the performers, because all of these
programmes have been put together in less than a month.
Now the
only challenge left, I believe, is for the audience! Each venue
still operates at a reduced capacity, and I am happy to say that the
tickets are nearly all gone.
Hope to see
you there!
https://www.kingsplace.co.uk/whats-on/classical/yulia-chaplina-and-thomas-gould-behind-the-iron-curtain/
Yulia Chaplina
and Thomas Gould: Behind the Iron Curtain
|
Date & start
time: |
Wed 26 May – 7pm |
|
Venue: |
Kings Place Hall
One - GA |
Shostakovich
(arr. Chaplina) |
Pieces from
Ballet Suites
for solo piano |
|
Extracts from film
scores incl.
The
Gadfly
and
Michurin
for solo piano |
|
‘Waltz No. 2’ from
Jazz Suite No. 2 for violin & piano |
Shostakovich |
‘Romance’ from
The
Gadfly
for violin and piano |
Weinberg |
Children's
Notebook
for solo piano (excerpts) |
Prokofiev |
Violin Sonata No.
1 in F minor, Op. 80 |
Yulia Chaplina |
piano |
Thomas Gould |
violin |
We are pleased
to be able to open our doors again and offer you performances in a
safe environment.
Versatile
violinist
Thomas Gould
joins forces with ‘quintessentially Russian’ pianist
Yulia Chaplina
for a programme that dives into the music of Prokofiev, Shostakovich
and Weinberg, written at the height of the Soviet Empire. Feel the
desperation of artists trapped in an authoritarian regime and
decipher their hidden meanings.
Weinberg’s
Pieces from the
Children’s
Notebook
(1944-45) give
us a glimpse into his troubled childhood, as an orphan of the
Holocaust, who fled to the USSR and became a close friend of Dmitri
Shostakovich.
Shostakovich’s
acidly comic Ballet Suites and film music offer a popular take on
the ‘happy and joyous’ life of an ordinary Soviet citizen, providing
a unique contrast with Prokofiev’s violin sonata. This exquisite
sonata was premiered by David Oistrakh and Lev Oborin in 1946,
coached by the composer himself. During rehearsals, Oborin played a
certain passage marked forte too gently for Prokofiev’s liking, who
said ‘It should sound in such a way that people would jump out of
their seats, and say “Is he out of his mind?”.’
Violinist
Thomas Gould has forged a distinguished career as a soloist,
leader and director. With a fluency across a number of different
genres, Thomas has become a highly sought-after collaborator,
raising the bar for versatility on his instrument. Thomas joined
Britten Sinfonia as co-leader in 2006, becoming one of its leaders
in 2016. He regularly directs projects from the violin, and has been
engaged as a guest director with Sinfonietta Riga, Kölner
Kammerorchester, ACO Collective, European Union Youth Orchestra,
Cambridge University Chamber Orchestra and Southbank Sinfonia.
Described by
International Piano Magazine as ‘quintessentially Russian’ and ‘with
technical fluency and rich tonal shading reminiscent of the great
Communist era artists such as Emil Gilels’, Yulia Chaplina is
the winner of 7 international piano competitions. Since winning the
First Prize and the Gold Medal in the prestigious Tchaikovsky
International Competition for Young Musicians, she has performed
regularly as a soloist in many of the world’s finest venues,
including the Wigmore Hall and the Southbank Centre in London,
Berlin’s Philharmonie, the Grand Halls of the Moscow Conservatoire
and the St. Petersburg Philharmonia, Bunka Kaikan Hall in Tokyo and
many other concert halls.
https://www.eventbrite.com/e/prokofiev-festival-amateur-concert-tickets-151832498089
May 27
Prokofiev Festival Amateur Concert
Date and time
Thu, May 27, 2021
6:30 PM – 8:30 PM BST |
Location
RUSSIAN HOUSE
1 FLOOR 37 High Street Kensington
London, W8 5ED, United Kingdom |
Amateur pianists play works by Prokofiev, Scriabin,
Rachmaninov, Tchaikovsky Part of 2 London Prokofiev Festival in
London 26 - 28 May
About this event
Miguel de Blas,
Shostakovich's Prelude and Fugue No. 4 in E Minor Opus 87
Fabienne Lassagne,
Scriabin Nocturne for the Left Hand op. 9;
Shostakovitch Three Fantastic Dances op.5
Roger Press,
Ligeti Musica Ricercata
Kirill Volynski,
Prokofiev, Montagues and Capulets op. 75, No 6;
Rachmaninov Prelude op. 23 no 6
Alexandra Holt,
Shostakovich Prelude and Fugue in A Op.87 No7
Ting Ho,
Glinka - Balakirev The Lark
Anthony Hardwicke,
Scriabin Selected Etudes
Vincent Cerdan,
Scriabin: Prelude for the left hand, op. 9 n.1
Andrew Marris,
Rachmaninov - Prelude in C# Minor (Bells of Moscow), op 3, no 2;
Prelude in D, op 23, no 4; Prelude op 32, no 10 in B minor
Joshua Leff,
F. Poulenc Napoli Suite
Dorottya Nagy,
Debussy: Arabesque no. 2
Julie Fung,
Prokofiev Visions fugitives Op. 22 no 2, 11, 14
Svetlana Egorova,
Scriabin, Etude, Op 2. no. 1;
Szymanowski, Etude no. 3 from 'Four Etudes', op. 4
Tickets include presents for performers & and free admission to
Young Artists Concert later that evening.
UPDATE: Sadly no reception is possible due to Covid regulations .
https://www.eventbrite.com/e/young-artists-concert-tickets-151947853119?aff=erelpanelorg
MAY
27
Young Artists Concert
Date and time
Thu, May 27, 2021
8:00 PM – 10:00 PM BST |
Location
RUSSIAN HOUSE
1 FLOOR 37 High Street Kensington
London, W8 5ED, United Kingdom |
About this event
HyunJeong Hwang (South
Korea),
Sofia Gubaidulina Chaconne
Louis-Victor Bak (France),
Alexander Scriabin: Préludes No. 4, 3, 6 Op. 17;
Sergei Rachmaninov: Etude-Tableau Op.39 No. 9
Siyu Sun (New
Zealand),
Sergei Prokofiev Piano Sonata no. 7
Junyan Chen,
Sofia Gubaidulina Piano Sonata
Matthew McLachlan (UK),
Alexander Scriabin - Preludes op.11 &
Nikolai Medtner Fairytales op.9
Kerry Waller (Canada),
Sergei Prokofiev Piano Sonata no. 8
This event is part of the 2ND PROKOFIEV FESTIVAL
https://www.eventbrite.com/e/prokofiev-festival-childrens-concert-tickets-151833769893
MAY
28
Prokofiev Festival Children's Concert
Date and time
Thu, May 28, 2021
8:00 PM – 9:30 PM BST |
Location
RUSSIAN HOUSE
1 FLOOR 37 High Street Kensington
London, W8 5ED, United Kingdom |
About this event
Masha Berezutskaya (Fulham Primary School),
Medtner Fairytale in F minor;
Lyadov Mazurka in F minor
Tailor Lai (Dulwich College),
Gliere Prelude op. 43
Orson Combrinck (Little Ealing Primary School),
Tchaikovsky Douce rêverie;
Prokofiev Tarantella;
Shostakovich Waltz no 2. from Jazz Suite no. 2
Emma Parenzee (Davenant School),
Rachmaninov Elegie op. 3 no. 1
Isabella Denny (West London Free School),
Kapustin Sonatina Op.100
Jonathon Cheng (Kings College Wimbledon),
Rachmaninov - Sonata No. 2 in B Flat Minor, 1st Movement, Op. 36
(1931 Edition)
Reis Luca Fernandes (Kings College Wimbledon),
Debussy Reverie
Ryan Wang (Eton College),
Debussy Reflets dans l'eau
Calvin Leung (St Paul's Boys School),
Prokofiev Sonata no. 3 in A - minor
Videos
News About Oleg Prokofiev And His Family
|
Cordelia Prokofiev wrote to us
in May 2021: "Excitingly a book has been published of Oleg’s
poetry: https://www.labirint.ru/books/781237/
It is currently only in Russian and was complied by Dmitry
Smirnov and Ilya Kukui. Very sadly Dmitry died of Covid-19
last year."
Oleg
Prokofiev:
"Candle of words. Poetic works"
Author: Oleg Prokofiev
Publisher: Academic Studies Press, 2020
Annotation to the book "Candle of words. Poetic works"
This edition for the first time in exhaustive completeness
presents the poetic heritage of the artist Oleg Sergeevich
Prokofiev (1928-1998). Born in Paris, the son of the great
composer, Prokofiev lived the first (most) part of his life
in Moscow, the second in England. Biographically belonging
to the culture of Soviet nonconformism, and then to the
emigration of the third wave, Prokofiev occupied a special
place everywhere, remaining in the shadow of his more
prominent contemporaries during his lifetime. His "quiet"
poetry, developing in the author's mature years the
tradition of free verse, does not lose its significance and
is a unique example of the artistic world, almost completely
hidden from the eyes of readers until now, and only with the
appearance of this book comes to the surface.
Compiled by Ilya Kukui, Dmitry Smirnov-Sadovsky.
More details:
https://www.labirint.ru/books/781237/
|
|
Oleg Prokofiev Trust
https://www.olegprokofievtrust.org/
Welcome to the Oleg Prokofiev
Trust.
The Oleg Prokofiev Trust is a grant-giving charity set up in
memory of Oleg Prokofiev, son of the composer Sergei
Prokofiev. Its funds are directed primarily for the purpose
of helping to support music performance projects and the
advancement of the arts and education in music worldwide for
the public benefit, in particular in relation to the work of
Sergei Prokofiev.
Charity no. 1156800
The majority of grants are for
musical performances, and applications can be made by the
individual performers or promoters. Applications are also
considered by those who are requesting a grant to support
their music research.
Grant applications for research
can only be considered for postgraduate or PHD level
researchers or equivalent and cannot include the
researcher’s living costs; a specific outline of the nature
of the research and how the grant would be used needs to be
provided.
The size of the grant ranges
from £200 to £5,000. |
|
We are very sad to announce that Rupert
Prokofiev died in January 2017.
He was a committed Trustee, passionate about
music and the arts. Rupert is sorely missed by his family
and friends.
9 February 1985 - 2 January 2017. |